Build a solid audience base
Quickly reach your ideal subscription capacity for each subscription series
Increase earned income
The broader your income base, the stronger your infrastructure
Expand your artistic freedom
Develop your artistic passion with a loyal audience that follows you
Establish Control
Solid audience, increased earned income and artistic freedom gives you control over your operations
How many more subscriptions do you need to sell out?
Collaborations
Subscription Campaigns
New Subscribers
New Income (€) For The Arts
WORDS FROM FRIENDS
Helena Wessman
“I have followed Magnus Still’s work for many years and have collaborated with him on subscription growth on two big projects with different orchestras. The result has been above and beyond expectations. Still’s system is simple but well balanced and efficient. Just what we all need.”
Michael Becker
“The work we have done with Magnus Still has been compelling across all Tonhalle departments. The system is logical, easy to understand and practically oriented, and the ongoing support of Magnus is very attentive and cooperative. The results of our subscription collaboration so far resulted in an increase of 110% in subscriptions and more than 50% in concert visits, which is immensely gratifying for all parties involved: the backstage crew, the artists and the finances.”
Rikkert Kremer
“I have read two truly life-changing books. The first was Michael M. Kaiser’s The Art of the Turnaround, the second Magnus Still’s Effective Marketing by Classical Music Promoters. I am very excited to learn that Magnus is writing a new book on his very special competence area of subscriptions.”
Robert C. Jones
“After 36 plus years as a CEO and another 10 years as a COO to symphony orchestras and operas, my recommendation is to skip conferences and workshops for the next three years, and instead put the time and effort toward a StillArt collaboration.”
Urban Ward
… and [reaching the ideal subscription level] also helps us sleep well at night.
Ed Smith
“The StillArt approach is just what arts organizations need at this time. It’s pragmatic, innovative, trustworthy and driven by a genuine desire to share the thrill of great performances with more people. And they produce the goods! From my personal experience of working with them I am very happy to offer recommendation. Their work with the GSO encouraged us to think creatively, challenge our thinking and dared us to do things differently.”
